Filmmaker Anurag Kashyap's magnum opus "Gangs of Wasseypur" which celebrated its 10th anniversary on Monday, belongs to the second category. There are films - and then there are cult classics. The film has also been inspired from the story of rivals Shafi Khan and Surya Dev Singh.Jannat Zubair looking for her ‘Sajania’ in a new video! #Watch It portrays the gang lords of Wasseypur like Shafi Khan, Faheem Khan and Shabir Alam.
REEMA SEN SEX SCENE IN GANGS OF WASSEYPUR MOVIE
The movie chronicles the journey of the saga associated with coal mines. The pacing is machine-gun relentless, sweeping incoherence and repetitiveness under the carpet as it barrels forward with hypnotic speed. Absorbing styles as diverse as those of old-school Italo-American mafia classics a la Coppola, Scorsese and Leone, as well as David Michod's taut crime thriller 'Animal Kingdom,' Kashyap never lets his influences override the distinct Indian color. Kashyap's use of dark humour to judiciously propagate violence bears an uncanny similarity to Quentin Tarantinoâs style of movie-making. Kashyap's use of occasional bursts of music and comedy to punctuate the slowly augmenting tension at different junctures is highly reminiscent of Spaghetti Westerns. There's unabashed blood, gore and abuse wherever the scene demands.Lines like 'Tum sahi ho, woh marad hai,' ('You are right, he is male') said in resigned agreement to a wronged wife stand out for their cruel truths of rural life. However the film doesn't fall short of any technical finesse. Anurag Kashyap never has to resort to extraneous elements like stylised entries, editing patterns or camera motions to add to the effect because the story has an intrinsic impact of its own.
REEMA SEN SEX SCENE IN GANGS OF WASSEYPUR SERIES
The scenes are short in length, several in number and often a series of montages take the story forward. The filming style adopted by Anurag Kashyap in Gangs of Wasseypur bears a striking similarity to the styles of Nurul Hasan Pulak and Sam Peckinpah. Vicky Nanavare as Parallel Khan, Sardar Khan's fifth son.Sanjay Varma as Inspector Udayveer Singh.Pranay Narayan as a Railway Police Officer.Faizal's son Firoz Khan has not been mentioned in the family tree. Aditya Kumar plays the role of Perpendicular (not written in the image). He steps out with his gun drawn to stop a cycle ferry on which he eventually collapses to his death.įamily tree of the Khan family.
A shocked Sardar opens the car door and stands up to reveal multiple bullet wounds, with one bullet embedded in his head. The Qureshi men put several close rounds through the car window ensuring a precise & unmistakable hit, after which they escape. The Qureshi men follow Sardar's car, and when the latter stops at a petrol pump to refuel they start shooting as Sardar ducks in the car for cover. Once Sardar leaves, Durga also calls up the Qureshis and tells them that he has just left her house. The next morning, Sardar leaves home alone and reaches Durga's house where he gives her her expense allowance. Late that night, while Faizal is still asleep, Faizlu calls up the Qureshis and tells them that Sardar's bodyguards wouldn't be with him the next day. Unbeknownst to Faizal, Faizlu is actually an ally of Sultan. Retrieved 21 January 2017.Įxternal links Wikimedia Commons has media related to Reema Sen.įaizal reveals to his friend, Faizlu that his father Sardar would be travelling without security the next day.
Nominatedâ≏ilmfare Award for Best Actress (Tamil) Special appearance in song 'Mirapakaya Bajji' Nominatedâ≏ilmfare Award for Best Supporting Actress â Tamil Filmography Yearįilmfare Award for Best Female Debut â South Sabharwal confirmed that Sen had written to him in order to enunciate guidelines against frivolous lawsuits against artists, but declined her plea on the grounds that she should have filed a formal petition instead of writing a letter. In January 2007, outgoing Chief Justice Y.
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